
As people streamed out of the theater, there were murmurs of "what an asshole," but why didn't anyone ask "Do you think he has Aspergers?" or "Perhaps he was so introverted that he's just misunderstood?"
Seriously, "the character of Mark Zuckerberg" is no different than any bright, ambitious, obsessive, entrepreneurial, conceptual web developer who's ever taken a shot at the internet lottery. Those guys are why Silicon Valley is The Core. With exception to the uber-Playboy ways of Larry Ellison and Sean Parker, these are men (and some ladies) who rarely see the sun because they're locked away under fluorescent lighting and glued to a screen. And what's amazing about these fellas is that for as clearly as they see the vision, as equally important are the programmers they hire with that angel investment—because that round of developers works just as hard. It is no myth that the campus culture of the Bay Area is to give employees free food, free gym, free haircuts so that they never leave ... this is the reality of every guy who wants to catch the 3,000lb marlin. And Zuckerberg landed the big fish of the decade.
Much like how "Studio 60 on the Sunset Strip" was the most somber TV show about a comedy program, Aaron Sorkin's screenplay for "The Social Network" is the least exciting movie about the energy of youth and the call of the digital age. The only redeeming thing about the movie is that the heart of "the Mark Zuckerberg character" is a man more interested in social impact than the money—it's only said in a line or two; however, that is probably why Facebook is the behemoth that it is ... because back in 1995 (the year Netscape went public) that was the promise of the web. And though The Facebook started with exclusivity, it is the equalization that also draws on the initial promises of what was being built back back before the MBAs showed up on their Razor scooters. Many of the dreams of what could be done were about a decade too soon, and so the creation of the Facebook application came about when the bandwidth could handle it and rode alongside to include more and more aspects that are part of our daily culture, such as video. Granted, Facebook will make a ton of money off the data; however, any smart company will and should be making money off the data because that is the reality of how everyone leaves traces and footsteps in the connected age. To think it should be another way, well, it's too late.
But back to the movie ... well-directed, well-acted, and even well-written (albeit dull) is a tale about nothing: bright guy with cranky personality may have stolen an initial idea, got sued, and lost his best friend; however, in reality he still has the same girlfriend that he's had since before he started Facebook. So is this is a tragedy? Because in the end, Zuckerberg is the winner in terms of Living the Dream. Besides, in the land of creativity "does everyone who makes a chair have to pay the guy who first thought of a chair?" Probably not if the chair has been transformed into the La-Z-boy recliner.
So, per my early photographic review based on simple poster hanging on a wall: "Advertised in the Subway—Guaranteed Crap"